![]() I found this gives me great results and really doesn’t slow down my workflow significantly. Then, if you want that vintage saturated fairy dust sound, insert your other additive EQs after the Pro-Q 3. The best way to use it, in my opinion, is to put a Fab Filter on every channel and do all of your subtractive EQ in it. And with adjustable slopes to help you target those hard to reach frequencies. Plus there’s a ton of curve shapes, from filters to shelves. ![]() I did a whole post here on how powerful mixing with the Pro-Q 3 can be. ![]() It’s also loaded with amazing features like mid-side processing, dynamic EQ, and a spiffy visualizer. And when you use EQ better, you don’t need any fairy dust. Unlike other plugins, it presents you with tons of extra information that allows you to be a better mixer. It just lets you make smart, well-informed mixing decisions. You see, the Pro-Q 3 doesn’t emulate any legendary device, it doesn’t do saturation, it doesn’t have any magic fairy dust. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |